| |
| 1927/28 (1st) |
| OUTSTANDING PICTURE |
| * |
| Paramount Famous Lasky -- Wings |
| |
| 1928/29 (2nd) |
| OUTSTANDING PICTURE |
| * |
| Metro-Goldwyn-Mayer -- The Broadway Melody |
| [NOTE: THIS IS NOT AN OFFICIAL NOMINATION. There were no announcements of nominations, no certificates of nomination or honorable mention, and only the winners (*) were revealed during the awards banquet on April 3, 1930.] |
| |
| 1929/30 (3rd) |
| OUTSTANDING PRODUCTION |
| * |
| All Quiet on the Western Front -- Universal |
| |
| 1930/31 (4th) |
| OUTSTANDING PRODUCTION |
| * |
| Cimarron -- RKO Radio |
| |
| 1931/32 (5th) |
| OUTSTANDING PRODUCTION |
| * |
| Grand Hotel -- Metro-Goldwyn-Mayer |
| |
| 1932/33 (6th) |
| OUTSTANDING PRODUCTION |
| * |
| Cavalcade -- Fox |
| |
| 1934 (7th) |
| OUTSTANDING PRODUCTION |
| * |
| It Happened One Night -- Columbia |
| |
| 1935 (8th) |
| OUTSTANDING PRODUCTION |
| * |
| Mutiny on the Bounty -- Metro-Goldwyn-Mayer |
| |
| 1936 (9th) |
| OUTSTANDING PRODUCTION |
| * |
| The Great Ziegfeld -- Metro-Goldwyn-Mayer |
| |
| 1937 (10th) |
| OUTSTANDING PRODUCTION |
| * |
| The Life of Emile Zola -- Warner Bros. |
| |
| 1938 (11th) |
| OUTSTANDING PRODUCTION |
| * |
| You Can't Take It with You -- Columbia |
| |
| 1939 (12th) |
| OUTSTANDING PRODUCTION |
| * |
| Gone with the Wind -- Selznick International Pictures |
| |
| 1940 (13th) |
| OUTSTANDING PRODUCTION |
| * |
| Rebecca -- Selznick International Pictures |
| |
| 1941 (14th) |
| OUTSTANDING MOTION PICTURE |
| * |
| How Green Was My Valley -- 20th Century-Fox |
| |
| 1942 (15th) |
| OUTSTANDING MOTION PICTURE |
| * |
| Mrs. Miniver -- Metro-Goldwyn-Mayer |
| |
| 1943 (16th) |
| OUTSTANDING MOTION PICTURE |
| * |
| Casablanca -- Warner Bros. |
| |
| 1944 (17th) |
| BEST MOTION PICTURE |
| * |
| Going My Way -- Paramount |
| |
| 1945 (18th) |
| BEST MOTION PICTURE |
| * |
| The Lost Weekend -- Paramount |
| |
| 1946 (19th) |
| BEST MOTION PICTURE |
| * |
| The Best Years of Our Lives -- Samuel Goldwyn Productions |
| |
| 1947 (20th) |
| BEST MOTION PICTURE |
| * |
| Gentleman's Agreement -- 20th Century-Fox |
| |
| 1948 (21st) |
| BEST MOTION PICTURE |
| * |
| Hamlet -- J. Arthur Rank-Two Cities Films |
| |
| 1949 (22nd) |
| BEST MOTION PICTURE |
| * |
| All the King's Men -- Robert Rossen Productions |
| |
| 1950 (23rd) |
| BEST MOTION PICTURE |
| * |
| All about Eve -- 20th Century-Fox |
| |
| 1951 (24th) |
| BEST MOTION PICTURE |
| * |
| An American in Paris -- Arthur Freed, Producer |
| |
| 1952 (25th) |
| BEST MOTION PICTURE |
| * |
| The Greatest Show on Earth -- Cecil B. DeMille, Producer |
| |
| 1953 (26th) |
| BEST MOTION PICTURE |
| * |
| From Here to Eternity -- Buddy Adler, Producer |
| |
| 1954 (27th) |
| BEST MOTION PICTURE |
| * |
| On the Waterfront -- Sam Spiegel, Producer |
| |
| 1955 (28th) |
| BEST MOTION PICTURE |
| * |
| Marty -- Harold Hecht, Producer |
| |
| 1956 (29th) |
| BEST MOTION PICTURE |
| * |
| Around the World in 80 Days -- Michael Todd, Producer |
| |
| 1957 (30th) |
| BEST MOTION PICTURE |
| * |
| The Bridge on the River Kwai -- Sam Spiegel, Producer |
| |
| 1958 (31st) |
| BEST MOTION PICTURE |
| * |
| Gigi -- Arthur Freed, Producer |
| |
| 1959 (32nd) |
| BEST MOTION PICTURE |
| * |
| Ben-Hur -- Sam Zimbalist, Producer |
| |
| 1960 (33rd) |
| BEST MOTION PICTURE |
| * |
| The Apartment -- Billy Wilder, Producer |
| |
| 1961 (34th) |
| BEST MOTION PICTURE |
| * |
| West Side Story -- Robert Wise, Producer |
| |
| 1962 (35th) |
| BEST PICTURE |
| * |
| Lawrence of Arabia -- Sam Spiegel, Producer |
| |
| 1963 (36th) |
| BEST PICTURE |
| * |
| Tom Jones -- Tony Richardson, Producer |
| |
| 1964 (37th) |
| BEST PICTURE |
| * |
| My Fair Lady -- Jack L. Warner, Producer |
| |
| 1965 (38th) |
| BEST PICTURE |
| * |
| The Sound of Music -- Robert Wise, Producer |
| |
| 1966 (39th) |
| BEST PICTURE |
| * |
| A Man for All Seasons -- Fred Zinnemann, Producer |
| |
| 1967 (40th) |
| BEST PICTURE |
| * |
| In the Heat of the Night -- Walter Mirisch, Producer |
| |
| 1968 (41st) |
| BEST PICTURE |
| * |
| Oliver! -- John Woolf, Producer |
| |
| 1969 (42nd) |
| BEST PICTURE |
| * |
| Midnight Cowboy -- Jerome Hellman, Producer |
| |
| 1970 (43rd) |
| BEST PICTURE |
| * |
| Patton -- Frank McCarthy, Producer |
| |
| 1971 (44th) |
| BEST PICTURE |
| * |
| The French Connection -- Philip D'Antoni, Producer |
| |
| 1972 (45th) |
| BEST PICTURE |
| * |
| The Godfather -- Albert S. Ruddy, Producer |
| |
| 1973 (46th) |
| BEST PICTURE |
| * |
| The Sting -- Tony Bill, Michael Phillips and Julia Phillips, Producers |
| |
| 1974 (47th) |
| BEST PICTURE |
| * |
| The Godfather Part II -- Francis Ford Coppola, Producer; Gray Frederickson and Fred Roos, Co-Producers |
| |
| 1975 (48th) |
| BEST PICTURE |
| * |
| One Flew over the Cuckoo's Nest -- Saul Zaentz and Michael Douglas, Producers |
| |
| 1976 (49th) |
| BEST PICTURE |
| * |
| Rocky -- Irwin Winkler and Robert Chartoff, Producers |
| |
| 1977 (50th) |
| BEST PICTURE |
| * |
| Annie Hall -- Charles H. Joffe, Producer |
| |
| 1978 (51st) |
| BEST PICTURE |
| * |
| The Deer Hunter -- Barry Spikings, Michael Deeley, Michael Cimino and John Peverall, Producers |
| |
| 1979 (52nd) |
| BEST PICTURE |
| * |
| Kramer vs. Kramer -- Stanley R. Jaffe, Producer |
| |
| 1980 (53rd) |
| BEST PICTURE |
| * |
| Ordinary People -- Ronald L. Schwary, Producer |
| |
| 1981 (54th) |
| BEST PICTURE |
| * |
| Chariots of Fire -- David Puttnam, Producer |
| |
| 1982 (55th) |
| BEST PICTURE |
| * |
| Gandhi -- Richard Attenborough, Producer |
| |
| 1983 (56th) |
| BEST PICTURE |
| * |
| Terms of Endearment -- James L. Brooks, Producer |
| |
| 1984 (57th) |
| BEST PICTURE |
| * |
| Amadeus -- Saul Zaentz, Producer |
| |
| 1985 (58th) |
| BEST PICTURE |
| * |
| Out of Africa -- Sydney Pollack, Producer |
| |
| 1986 (59th) |
| BEST PICTURE |
| * |
| Platoon -- Arnold Kopelson, Producer |
| |
| 1987 (60th) |
| BEST PICTURE |
| * |
| The Last Emperor -- Jeremy Thomas, Producer |
| |
| 1988 (61st) |
| BEST PICTURE |
| * |
| Rain Man -- Mark Johnson, Producer |
| |
| 1989 (62nd) |
| BEST PICTURE |
| * |
| Driving Miss Daisy -- Richard D. Zanuck and Lili Fini Zanuck, Producers |
| |
| 1990 (63rd) |
| BEST PICTURE |
| * |
| Dances With Wolves -- Jim Wilson and Kevin Costner, Producers |
| |
| 1991 (64th) |
| BEST PICTURE |
| * |
| The Silence of the Lambs -- Edward Saxon, Kenneth Utt and Ron Bozman, Producers |
| |
| 1992 (65th) |
| BEST PICTURE |
| * |
| Unforgiven -- Clint Eastwood, Producer |
| |
| 1993 (66th) |
| BEST PICTURE |
| * |
| Schindler's List -- Steven Spielberg, Gerald R. Molen and Branko Lustig, Producers |
| |
| 1994 (67th) |
| BEST PICTURE |
| * |
| Forrest Gump -- Wendy Finerman, Steve Tisch and Steve Starkey, Producers |
| |
| 1995 (68th) |
| BEST PICTURE |
| * |
| Braveheart -- Mel Gibson, Alan Ladd, Jr. and Bruce Davey, Producers |
| |
| 1996 (69th) |
| BEST PICTURE |
| * |
| The English Patient -- Saul Zaentz, Producer |
| |
| 1997 (70th) |
| BEST PICTURE |
| * |
| Titanic -- James Cameron and Jon Landau, Producers |
| |
| 1998 (71st) |
| BEST PICTURE |
| * |
| Shakespeare in Love -- David Parfitt, Donna Gigliotti, Harvey Weinstein, Edward Zwick and Marc Norman, Producers |
| |
| 1999 (72nd) |
| BEST PICTURE |
| * |
| American Beauty -- Bruce Cohen and Dan Jinks, Producers |
| |
| 2000 (73rd) |
| BEST PICTURE |
| * |
| Gladiator -- Douglas Wick, David Franzoni and Branko Lustig, Producers |
| |
| 2001 (74th) |
| BEST PICTURE |
| * |
| A Beautiful Mind -- Brian Grazer and Ron Howard, Producers |
| |
| 2002 (75th) |
| BEST PICTURE |
| * |
| Chicago -- Martin Richards, Producer |
| |
| 2003 (76th) |
| BEST PICTURE |
| * |
| The Lord of the Rings: The Return of the King -- Barrie M. Osborne, Peter Jackson and Fran Walsh, Producers |
| |
| 2004 (77th) |
| BEST PICTURE |
| * |
| Million Dollar Baby -- Clint Eastwood, Albert S. Ruddy and Tom Rosenberg, Producers |
| |
| 2005 (78th) |
| BEST PICTURE |
| * |
| Crash -- Paul Haggis and Cathy Schulman, Producers |
| |
| 2006 (79th) |
| BEST PICTURE |
| * |
| The Departed -- Graham King, Producer |
| © Academy of Motion Picture Arts and Sciences |
